6/29/2023 0 Comments Serius cat trax![]() ![]() There’s an upbeat guitar that glitters and lyrics glowing in the light of new love like, “We held each other while everything burned up around us / And inside of me, too / That’s called love.” But before the song ends, Lily gets real with herself. You might think you’re safe from devastating relationship revelations on the sunnier “Lights Light Up,” but you’d be wrong. “Do you believe me like the gospel truth? / Or is the feeling fading?” she adds to a heartbreaking line of questions this time her voice quivers with the weight of it all. “Would you defend me like a point of view? / Even when both are changing?” she asks matter-of-factly. The intimate and slow-paced drums are the deserved cushion for Lily’s creamy voice. The song “2+2” from her 2023 album “Big Picture” is a perfect example. ![]() But Lily’s dainty and haunting melodies are anchored by sharp lyrics ready to slice. The English folk singer’s soft production choices and calming, sometimes whispering voice are soothing. There’s nothing casual about listening to Fenne Lily. at Comet Ping Pong, 5037 Connecticut Ave. “Better stand back, baby, just don’t be close / Blowin’ up like C4 / I be geekin’ just like Stitch and Lilo,” Wilson raps, flipping the cartoon characters’ names to make a rhyme work. The beat is undeniable, and Wilson’s speedy, Auto-Tuned delivery makes the song a certified ear worm. “Stitch + Lilo” samples luscious “oohs” from R&B’s most celebrated and most recognizable voice right now, SZA. On Wilson’s 2022 project, “Fast Trax 3,” the rapper continues smashing new hip-hop aesthetics with classic R&B sounds and takes songs to even higher levels. “Peace and blessings to my family up in heaven, lost a couple few / I lost my pops in 2009,” he raps, right after referencing Kid ’n Play’s comedic House Party movie series. The slower R&B sounds somehow fit with Wilson’s rapid-fire delivery, quickly guiding listeners through a late night filled with both dark thoughts and breezy observations. The opener “Late Night,” off Wilson’s first mixtape “4 Real,” uses a Brent Faiyaz song to create a hyper-pop-sounding rap song, and it works. 454, whose real name is Willie Wilson, loves glitchy production and Auto-Tuned vocals and often pairs them with an R&B sample. The Florida-born rapper is unusually good at harnessing a kind of musical chaos that still feels harmonious. There’s always a lot going on during a 454 song. Paramore’s clear-eyed take on angst hasn’t changed. There are scattered-sounding guitars and drums around Williams’s voice, mimicking the distorted times the song is about. “This is why I don’t leave the house / You say the coast is clear, but you won’t catch me out,” Williams sings in her melodic style that has entranced fans for years. A post-pandemic setting gives the band unlimited tension to tap into, as seen on the titular opening track. On “This Is Why,” released in February, Paramore’s pop-punk survey of the times leans into a rockier edge. On the 2017 album “After Laughter,” the band turned to glittery synth, its signature anxious pop songs shinier than usual. ![]() Lead singer Hayley Williams, guitarist Taylor York and drummer Zac Farro have continued to steer their music into new territory while remaining true to their angsty core. In the almost two decades since Paramore’s debut, the generation-defining pop-punk band has resisted attempts to capitalize on the nostalgia of its older hits. ![]()
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